AI is writing your code, but who’s reviewing it?
As AI coding assistants go mainstream, a silent wave of technical debt is building. Here’s how the industry is fighting back. The post AI is writing your code, but who’s reviewing it? first appeared on TechTalks .
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assistantreviewcoding assistant‘It’s all very possible’: Michael Patrick King on The Comeback return’s shocking AI twist – and why And Just Like That will age well
<p>Could AI write an entire sitcom series? That’s the premise of the new season of comedy drama The Comeback. Its co-creator talks about being shocked by his research – and why the world needs to catch up with AJLT</p><p>TV veteran Michael Patrick King has had a long, lively career, writing, directing and producing on shows including Murphy Brown, Will & Grace and 2 Broke Girls. He’s best-known, though, for his work on the Sex and the City franchise, serving as its showrunner for the bulk of its run, writing and directing its two films, and masterminding its controversial <a href="https://www.theguardian.com/tv-and-radio/2025/aug/02/goodbye-and-just-like-that-right-time-to-end-cursed-spin-off">2020s revival And Just Like That</a>. But this month sees the return of one of his most loved
Azilen Technologies Recognized Across Two Leading AI Economies – USA & UK – for Enterprise AI Excellence - The National Law Review
<a href="https://news.google.com/rss/articles/CBMirgFBVV95cUxNaVNmYk1WWkJBaDU0M0VxcWVEMzdCcUxaWnBvaHVpMTJNNS05eV9wYXI0Rm5aZzY3N2Iyc0I4OUROQlFRaGsxVEhyU05mZHZodV9VdW01R3RqbVpLM2pHMkZQdjNmMkJPTmVPelU0X2VjSWEwRk9TQ0FHajAtZl9ZekdLMjhrdzgtSFd3aG1sN1JhcmZTUUJHUmFSSllFUk04anZLUFkzVTNuVU1lS1E?oc=5" target="_blank">Azilen Technologies Recognized Across Two Leading AI Economies – USA & UK – for Enterprise AI Excellence</a> <font color="#6f6f6f">The National Law Review</font>
The AI Doc's director was "scared shitless" by AI, so he made a movie about it
If you're feeling anxious about AI and what it means for the future of humanity, you should watch The AI Doc: Or, How I Became an Apocaloptimist . As I noted in my review , the film aims to deliver some clarity amid all the hype. Now that it's in theaters, we sat down with director Daniel Roher, who won an Oscar for his film Navalny , to dive deeper into his complicated feelings around AI. The entire topic made him nervous, Roher said, so he decided to team up with similarly anxious colleagues to demystify AI using film. He describes the goal of the project to be a sort of "first date" with AI, a way to hear about its potential benefits from AI boosters, while also taking in the many negatives brought up by critics. It’s probably too late to stop AI entirely, but he thinks we can at least
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